Money Heist La Casa de Papel
Sound Supervisor · Netflix · International Emmy, Best Drama Series
Learn how sound works on world-class productions, from the sound supervisor of Money Heist — International Emmy winner for Best Drama Series.
“I can bring any project I have worked on into the classroom and open it live, and see it from the inside. These are just samples — there are 100+ credits on IMDb to choose from, so the material is picked to fit your students.”
Sound Supervisor · Netflix · International Emmy, Best Drama Series
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Choose the project you want me to teach with.
“I have experience in film schools, universities, industry talks and intensive sound programmes, in two languages — and I am still working every day at my own sound studio, La Palma 52 Sound.”
Hands-on teaching in a full DAW lab: students working scene by scene on their own workstations while the professional session runs on the main screen.
Two-hour session for Netflix's sound community: my career, how I work on their productions, and a full walkthrough of my own studio and workflow.
Two-hour talk in a full university auditorium: how sound is built in fiction, from the shoot to the final mix, with scenes from my own productions opened on screen.
Full academic module: seven weeks, fifteen hours a week. The long format, where students move from first principles to finished, defended work across more than a hundred contact hours.
Full programme designed and delivered to 26 students. Five modules from critical listening to final delivery, taught with my own professional sessions: a work-in-progress feature, a finished feature and a broadcast episode of a global streaming hit.
Six-hour immersive-mixing masterclass in a professional studio: object-based workflow, bed and object management, monitoring and Atmos deliverables.
Condensed intensive: the full post-production chain compressed into two days, with hands-on work on supplied material.
Four-hour session for future producers: what the sound department does, how it is scheduled and budgeted, and where productions usually lose quality and money.
Two-hour talk on how sound builds story and emotion, delivered across two editions of the CADEC programme.
Two-hour talk aimed at screenwriters: how sound can be written into a script from the first draft, and what a screenwriter can hand a sound department that changes the finished film.
Active work on features, series and documentaries. Every class is built on projects currently on my desk: real client notes, real deadlines, real compromises.
A decade of teaching, in the places where it happened.
Each adapted to your students' level, your facilities and your calendar. Learning outcomes written to slot into a course validation document.
How the sound of a well-known film or series is actually built — screened, taken apart and rebuilt live. For open days, festivals, guest lectures and conferences.
One discipline, in depth and hands-on. You choose: dialogue and ADR, ambiences, sound design and hard FX, or mixing and delivery. Students work from the first hour.
The complete journey, from critical listening to compliant stems. Comes as a full teaching pack: slides, exercises, session templates and student handout, ready before day one.
For institutions building a sound curriculum, and for departments that want a professional ear on student output. Also one-to-one mentoring for graduates.
A selection of interviews and features about my work in film and television sound.
Tell me what you need and I’ll send you a tailored proposal — programme, timings and outcomes — in under 48 hours.
hola@lapalma52.com
